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Thomas Tallis
Born: ca. 1505, Leicestershire (England)
Died: 23 November 1585, Greenwich (England)
Tallis was a church organist and composer, whose work spanned a wide period
in English church music. There is no record of his childhood.
He was organist at Waltham Abbey until that foundation dissolved, organist and
lay clerk at Canterbury Cathedral. Tallis then was employed as organist
and composer at the Chapel Royal, over the course of four monarchs, until his
death. There he survived, evidently without being persecuted, the
changes in monarchies and changes of state religion between Protestantism and
Catholicism. He was of the first to write for the new Church of England
liturgy. Because of the changes in the state religion, Tallis set
both Latin and English texts and also composed anthems, service music, some
instrumental pieces, and some secular music. His vocal polyphony earned
him respect and for awhile he quite well off. At the Chapel Royal, Tallis
worked with his younger colleague, William Byrd. The two of them asked the
Queen for additional funds, and she granted them in 1575 an exclusive license to
print and publish music -- the first of its kind in England.
Classical music's roots go back a long way, although most people know little
of who preceded the famous Italian and German composers of the 17th century. One
English composer who deserves to better known is Thomas Tallis, who in
his lifetime was a renowned composer of sacred choral music. Tallis remained a
Catholic at time of considerable religious upheaval in the British Isles, and
the fact that he was able to continue to write for both the Catholic and
Anglican churches illustrates the esteem in which he was held. Aside from his
association with Vaughan Williams, Tallis is probably best known today as the
composer of Spem In Alium, an astonishingly beautiful motet for 40
voices.
The popularity of psalm singing prompted Tallis to write the nine psalm
tunes. The ninth appears in the LBW as "All Praise to Thee, My
God, This Night" no. 278 (Tallis' Canon). Tallis was described in his
epitaph as humble and unassuming and one who avoided religious conflict.
He was much respected by four monarchs and by succeeding generations of church
musicians.
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